The Fondation Cartier pour l’art contemporain is presenting the first major retrospective in Europe of Olga de Amaral, a key figure of the Colombian art scene and of Fiber Art. The exhibition brings together nearly eighty works made between the 1960s and now, many of which have never been shown before outside of Colombia. Beyond the vibrant goldleaf pieces for which the artist is renowned, the exhibition reveals her earliest explorations and experimentations with textile, as well as her monumental works. Since the 1960s, Olga de Amaral has been expanding the boundaries of the textile medium, continually experimenting with different materials (linen, cotton, horsehair, gesso, goldleaf, palladium) and techniques: she weaves, knots, braids, and interweaves threads to create monumental three-dimensional pieces. Her unclassifiable work draws equally from the Modernist principles that she discovered at the Cranbrook Academy of Art in the United States, and the vernacular traditions of her country, as well as pre-Columbian art. Having presented six works from the Brumas series as part of the Southern Geometries exhibition in 2018, the Fondation Cartier is now retracing Amaral’s entire career, celebrating the figure who helped spark a true revolution in the textile arts. Go to Website
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